A small room.

We started Monolith because the rendering most studios deliver tells you a building was going to be built. We wanted images that tell you it was already there.

Eight people, one studio in Warsaw, distributed contributors in London and Berlin. Twelve projects a year, no more. Our deadlines are the architect's deadlines, and we hit them.

We pour the concrete in software. We oxidize the copper in shaders. We don't add anything that wouldn't survive a site visit five years later.